The Story
The hand of an armless statue utilises these recycled artworks: a tote bag with a picture of the Girl with a Pearl Earring on it, a paint-by-numbers of Van Gogh’s Iris painting, an arm tattooed with Matisse’s Dancers. Fragments from such paintings become sprawling, incomplete narratives — seductive historical clutter assembled for the viewer’s consumption. The book features an accompanying essay by Kiron Robinson, artist and lecturer at the Victorian College of the Arts, University of Melbourne within the Photography studio.
94 Pages, 26.5 x 19.5 cm, softcover, M.33 (Melbourne).

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
The hand of an armless statue utilises these recycled artworks: a tote bag with a picture of the Girl with a Pearl Earring on it, a paint-by-numbers of Van Gogh’s Iris painting, an arm tattooed with Matisse’s Dancers. Fragments from such paintings become sprawling, incomplete narratives — seductive historical clutter assembled for the viewer’s consumption. The book features an accompanying essay by Kiron Robinson, artist and lecturer at the Victorian College of the Arts, University of Melbourne within the Photography studio.
94 Pages, 26.5 x 19.5 cm, softcover, M.33 (Melbourne).

























